8mm
Columbia TriStar Home Entertainment / 1999 / 123 Minutes / Rated R
Street date: N/A

I can recall seeing the theatrical trailer for 8MM and thinking how much potential the film could have had. Shortly after the debut of the trailer, some local buzz started to build for the film. Fellow Central Pennsylvania native Andrew Kevin Walker had written the film and there were rumors that some photography had taken place around Harrisburg for the picture. I also had enjoyed Walker's previous work, SE7EN. Between the dark and sinister look of the trailer and my love for SE7EN, 8MM became a must see film. I remember when the repetitious theatrical trivia cleared the way for the trailers and the trailers cleared the way for 8MM. The very first shot in the film was an aerial view of City Island, Harrisburg. The crowd started to roar at the very familiar site and the initial excitement with the picture was intense. With the exception of local towns Lancaster and Hershey (yes, the chocolate people), there were more uproars, but soon the entire crowd entered the roller coaster ride that is 8MM.

8MM truly was dark and for me, the film never quite hit the mark. There were some incredible sequences and memorable moments. At times, the picture seemed to near the genre powerhouses Silence of the Lambs and SE7EN. Unfortunately, 8MM never quite go there. The villains were nowhere near the caliber of Hannibal Lecter (Anthony Hopkins) or John Doe (Kevin Spacey). The primary villain, Machine (Chris Bauer) seemed to have a lot of potential early on but along with the rest, he lacked that insanity needed to drive such a picture. Too much focus and attention was spent on trying to make the Machine's real identity shocking and not make the character as deranged and twisted as he should have been. The most memorable character was easily Max California (Joaquin Phoenix), and they killed him off when things were just starting to get good. As far as Nicolas Cage's performance, he puts forth a performance that is good, but it seems he has too much tendency in the picture to want to be an action star.

What does seem to work for Cage in this picture is his development through the picture. He begins as a man who prides himself with high classed clients and strong morals and views on other people. As the picture goes along, he finds himself feeling more for the less fortunate and for those with serious character flaws. He finds himself feeling badly for the mother of the daughter killed and he finds a friend in Max California, who has the outward appearance and attitude of white trash, but some strong redeeming qualities under the surface. Eventually, Cage finds himself with thoughts that are totally against his beliefs and he becomes driven more by pure emotion than decisions. As Max California said, "ăthe devil changes you."

The lack of a solid villain in 8MM was one of my primary reasons for not placing the film with the classics of the genre. However, many did (and will) not enjoy the picture because of the shock value that some scenes present. There really are some graphic and gory moments to be seen and some situations suggested are equally rough. The film is very dark in presentation and offers no bright spots to help bring one out of the mood caused by these graphic moments. Once the picture starts to roll, it keeps your stomach with a feeling of uneasiness. These elements really helped 8MM become a memorable motion picture. For me, the memories left by the intense graphic nature of the film were good, but many will write 8MM off as a piece of trash because of them.

In final summary of the quality of the picture, the film is well made. 8MM is a story about some very dark ideas and practices. The film was designed to look as gruesome as the topics it covers are. If pornography and murder are not necessarily your cup of tea and you find yourself offended by them, 8MM will turn your stomach. The movie can succeed in disturbing its viewer and if the villains would have been a tad bit odder, I believe director Joel Schumacher would have had a film to compete with the greats of the murder / thriller genre. I enjoyed the film, but will be the first to tell you that it is not for everybody.

Video: How Does The Disc Look?

8MM has a visual appeal that can leave one feeling very uneasy. The cinematography is designed to be very dark and gruesome. It is meant to look seedy. The picture has some graphic and disturbing scenes, but what will hit the hardest are the scenes that are not shown. The film has a way of slowing down after a scene is purposely now shown, so that one may ponder it and the imagination may fill in the holes with some truly horrible images and thoughts. 8MM has the ability to turn one's imagination against them and bring out some of the worst ideas imaginable. The film looks dirty and well suits its content. Sunshine and happiness are not to be found, and as far as visual appeal, 8MM ranks right up there with SE7EN and easily surpasses The Silence of the Lambs.

Sony (Columbia TriStar) have delivered their usual top-notch transfer with 8MM. The film is very dark and well shrouded in shadown. The DVD transfer reproduces the blacks with perfection and shadow detail is perfect. Color saturation is very good for a film of this nature and the look of the film cannot be done much greater justice than it is presented here. The film is presented in both an anamorphic 2.35:1 widescreen transfer that correctly shows the film in its original theatrical presentation and a modified pan and scan transfer that changes the look of the original film to fill a square television screen. The widescreen transfer is easily preferred because the wide 2.35:1 ratio looses a little too much information when it is cropped to fill the screen. Both transfers are solid, and there is little problems with edge enhancement, source faults or digital compression. The detail level is generally good, though there are moments when the film appears a bit soft. All in all, 8MM looks very good and will do so while putting horrible images in your mind.

Audio: How Does the Disc Sound?

The audio presence of 8MM is not nearly as disturbing or as powerful as how it looks. Much of the time in the film is spent in dialogue or sets where not much audible action is taking place. There are some moments when the soundtrack sounds good and there is a bit going on, but the film is not driven, or cares to be driven, by audio. Columbia TriStar offers two standard soundtracks for listening. For those of us with six-channel capability, there is a 5.1 Dolby Digital mix. If Dolby Pro Logic is your current audio capability, a 2.0 Dolby Digital surround track is provided that will more accurately down-convert and sound better on Pro Logic systems. As far as audio quality goes, 8MM sounded pretty damn good. The rear speakers provided ambient sounds and action when needed, though a film of this nature does not allow for constant surround information. The same holds true for the .1 LFE channel. When comparing the two tracks to each other, the difference could be heard, but the 5.1 mix was not as clearly superior to the 2.0 mix as it is in most instances.

Supplements: What Goodies Are There?

The pricing point for 8MM is $24.95. This is five dollars less than the standard price of a Sony DVD. Sony, who for a while was stingy on supplements with their base releases has improved greatly since the introduction of their product in March 1997. For 8MM, they have seen fit to include basic extras as dual format presentation, production notes, talent filmographies and the theatrical trailer. They have included some additional features that make the disc more of a bargain. The first of these features is a short documentary on the making of the film. This documentary is something that is nice to watch once, but does not contain anything groundbreaking or has the quality of something Criterion, Sharpline or Universal has done in the past and present.

The real gem of the disc is the screen-specific audio commentary with director Joel Schumacher. Many think of Schumacher as the man who ruined Batman. He brought a more colorful and comic book like appearance to the series, that moved away from Burton's dark and gothic makeover. Interesting is it that Schumacher gets very dark with 8MM. Schumacher does a fine job of delivering his commentary. He never gets boring. In fact, this commentary provides depth to the picture and shows how talented a director the man really is. After listening to the documentary, 8MM is a better picture. His research into the pornography world is quickly apparent. Schumacher provides tips on filmmaking and some porno tidbits. He gives a good bit of background on the picture and even mentions that a three hour cut of the movie exists. Though no reason is given why these cuts were made, a good guess would be to get the film an R rating. I personally believe that a director's cut of 8MM is needed in the future and perhaps this is something that Sony should allow Criterion to do.

Parting Thoughts

Not many pictures come along that fail with the general public because they are disturbing. 8MM is one such picture. The ponderance of the existence of "snuff films" and the underworld that would create them are brought to the big screen. What the film shows can be fairly graphic, but what the film neglects to show and leaves for the imagination is what will scar. The performances are not top notch, but good. The film really could have been a classic is the primary villains were more villainous. I enjoyed the film, but the film left enough of a negative impression with its content that it took two months to get around to reviewing it. My enjoyment of the picture grew greatly after viewing it a second time, and a third time with the commentary. With enough viewings, I could probably argue myself to thinking this is one of the all-time greats. It is that close to being one, if you can stomach it.

The video transfer and audio soundtrack are very good and do nothing to hurt the picture. The supplements are not the deepest in content, but the above average commentary and wealth of standard extras help make the disc a good value. Sony has proven that they are among the best when it comes to the films actual transfer and they are getting better all the time with their supplements. Though 8MM may not be for everybody, it is worth a look.

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DISC FEATURES

Specifications
- DVD-Video
- Double-Sided Disc
- Region 1

Aspect Ratio(s):
- 2.35:1 Anamorphic Widescreen
- 4:3 Pan & Scan

Dolby Digital Formats:
- English 5.1 Surround
- English 2.0 Surround

DTS Formats:
- None

PCM Formats:
- None

Subtitles/Captions:
- English Closed Captions
- English Subtitles

Standard Features:
- Interactive Motion Menus
- Scene Access

Supplements:
- Screen-specific audio commentary with Director Joel Schumacher
- Making-Of Featurette
- Cast & Crew Biographies
- Production Notes
- Theatrical Trailer

InterActual DVD-ROM Features:
- None

List Price:
- $24.95