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Your fearless editor is Peter M. Bracke
The JVC HM-DH3000 D-VHS video recorder with D-Theater
D-Theater arrives!

On January 30th, 2002, JVC, along with the support four major studios - Twentieth Century Fox, Universal, DreamWorks, and Artisan - announced the new D-VHS "D-Theater" platform for High-Definition (HD) prerecorded content. The news traveled fast and the reaction was swift - is this the dawning of a new era, a format war, or a boondoggle to rival the demise of DIVX?

But before we gaze into our DVDFILE Magic 8-Ball and make our predictions, if you're unfamiliar with the news, or don't even know what the heck D-VHS and "D-Theater" are, please take a gander at our new Fact Sheet, which should give you all the basics you need to know. Okay, all ready to continue? Alrighty then, here we go...

Earlier today, I was one of the lucky few to be invited to a press demo of the new D-VHS "D-Theater" platform. Ever the skeptic, I greeted the announcement yesterday and went into the demo with tremendous trepidation. I have devoted every single day of the last four years of my life to the DVD format, and have hundreds of well-earned discs to prove it, so how could I not greet the arrival of a new format with anything but a nervous gulp?

But even I can't deny the power of High Definition. No self-respecting home theater enthusiast reading this can claim that properly presented HD isn't a significant step up in terms of quality over DVD. HD is simply the Holy Grail of home theater, and the demos bore this out. We were treated to three side-by-side demonstrations: a VHS/DVD/D-VHS comparison of Fox's The Sound Of Music on smallish direct view monitors, an unconverted 720p DVD versus downconverted 720p D-VHS of Artisan's Basic Instinct on two plasma screens, and Universal's U-571 front-projected in 480p DVD and 1080i D-VHS. The grand finale was Fox's X-Men and Artisan's Total Recall, displayed in all their 1080i glory on a dedicated home theater environment, complete with jumbotron 15-foot screen.

We were told that the HD masters used for both the DVD and D-VHS displays were the same, and with all things being equal, the D-VHS 1080i material was clearly superior to the DVD. While the small direct view monitors were not that breathtaking - the screens are just too small to really see a huge appreciable difference, though it is noticeable - when you move up to the larger screen sizes the improvements are readily apparent. Resolution, detail, sharpness, widescreen aspect ratios - it's all there. The D-VHS system really works and looks terrific. Hands down, no contest.

However, as impressed with the demos and the D-VHS format as I was, my sense is that the real issue here and what's causing all the debate isn't one of HD versus DVD. It's not "Why HD?" but rather, "Why videotape?" We all want HD for the masses, but the question is, what delivery medium is the best for everybody? So let me now don my flameproof suit and give you my opinions. Going in as a journalist with a vested interest in the survival and success of DVD, I had my knives sharpened for the kill. My current line of work depends on it, and I asked all the hard questions I could not only for the benefit of you, my dear readers, but because I genuinely was afraid of what D-VHS might mean for DVD. Call me a wimp, but I was a bit scared when I heard the announcement yesterday...

That said, I can honestly say I left not feeling particularly threatened by D-VHS, and am now actually excited about the quality it can deliver to my home theater. I can't wait for prerecorded HD material to be available for consumer use, and the fact that four major studios are putting their weight about HD anything is a true sign of progress. There were doubts just a few years ago that any studio would allow HD-quality versions of any of their films to be released at all, so yesterday's announcement is a clear step in the right direction. It's a sign that if properly protected, content providers will allow Joe Six Pack access to their crown jewels in a real high-quality format. And that, my friends, is cause for celebration.

But more importantly for DVD, and as the studio representatives all in attendance made perfectly clear, D-VHS isn't intended as a threat to our beloved 5" format. At least for now. The current market penetration of HD owners is quite small, and the only way to really enjoy D-VHS is to own a HD monitor and have the cash to part with an extra $2,000 just for the D-VHS player alone. That's one small market! And although final word on software prices remains unknown, my guess based on the buzz is that it'll end up being in the $40 range, which keeps it at laserdisc-level attractiveness for most folks. As Fox's VP of Marketing Peter Staddon succinctly stated, "If we thought it (D-VHS) was going to kill DVD, we wouldn't be doing it."

But are such statements mere marketing smokescreen? I doubt it. DVD is the golden goose of the home video industry right now, and I doubt any studio would do anything to ruin it. And with D-VHS lacking most of the interactive features we know and love about DVD (except for chapter stops and multiple audio tracks, see the Fact Sheet for more), the studio reps seemed clear that their D-VHS titles will clearly showcase the movie, not the extras. (None of the studios see it as a mass-market rental item, either.) Though outlines of marketing plans were not revealed, my instincts tell me that D-VHS ain't gonna be pushed at Wal-Mart. Like SACD or MiniDisc, I doubt the Average Joe is even gonna know D-VHS exists for a long time, if ever...

So, if the market for D-VHS is so small, and given its steep price tag, why bother at all? Why not just wait for HD-DVD? Because HD-DVD is simply waaaay off, at least five years or more, so D-VHS is currently the only way to get prerecorded HD programming into the home. According to DreamWorks's director of Publicity Cheryl Glen, D-VHS is intended to "satisfy a very small and dedicated market with the highest-quality product possible." Sounds good, and as DVDFILE is ultimately all about getting the best quality possible (which just happens to be DVD right now) I can't complain. DVD is great, but I ain't gonna poo-poo HD just because it ain't, well, DVD. I still believe that the future is gonna be disc-based, but if HD can somehow be made available to the elite and doesn't destroy DVD and eventually a chance for HD-DVD, then fine by me. And if D-VHS doesn't attract the high end, then so be it...the market will decide. Whatever the case, I won't be giving up my DVD collection anytime soon.

But (and, as Pee-Wee Herman says, we all have a "big but") the long term picture is a bit cloudy. I was a bit disappointed that the studio reps in attendance didn't seem more concerned with the considerable financial investment that high-end consumers are being asked to make to enjoy D-VHS. $2,000 is a lot of money for a D-VHS deck, not to mention rebuying all those software titles again, and that's if you already have a suitable HD monitor. No studio would say how long they plan to support D-VHS, especially if sales are not that brisk. What assurance do we have, us high-end users who always support these new product launches, that D-VHS decks won't be obsolete and unsupported in a year or two? Ever heard of S-VHS? Yep, thought so.

I also had to wonder if this new push for D-VHS is a little more than just a sincere attempt to deliver the best quality to the high-end. While I am sure every studio wants their films to be seen in the best possible light, is D-VHS just a market research tool to gauge the consumer interest in prerecorded HD? Is this just a training ground to see if HD-DVD will fly? Do the studios really believe D-VHS is gonna last? Or is this just a way for JVC to get a foothold into HD now, and secure a place to stage a format war against HD-DVD when it arrives? If you've got money to burn, great, but not everyone is loaded with cash, so I hope that the claims to support D-VHS long-term hold true. Anyone remember DIVX and the huge consumer backlash it generated? Burn me once, I may forgive you. Burn me twice, and watch me never come back...

In the end, and to prevent this from being my first novel, my reactions were overall positive to the D-VHS demo and the potential, albeit a niche one, for the platform. Perhaps the best thing I can say about the quality of HD is that it is so strong it made me actually get excited about videotape again! And I am really a disc guy - it's sexy, it has tons of great interactive features, and it doesn't degrade like tape does. But quite simply, any HD-DVD format is years off, and if the studios and manufacturers like JVC keep true to their promise to not destroy DVD with any nefarious D-VHS schemes, I will be very excited to have top-quality HD prerecorded material in my home.

We hope to cover the first D-VHS titles when they are released (but, don't worry, this is still DVDFILE), so stay tuned. Please check out the forum and lend your thoughts on D-VHS. We really want to know what you think, and we hope the dialogue is ongoing. I'm sure this is only the beginning!

- Sincerely, your editor Peter M. Bracke

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